I remember a monk Dade once said, "It is ideal and can turn things." The heart is the ordinary heart; turning things is a real action in the general sense, but this turning is actually more of the inner turning, the meaning of transformation and transformation. In essence, this sentence hopes that people will return to their original intentions, throw away delusions and delusions in the current materialistic world, and have a spiritual transformation and the pursuit of peace and freedom. Communicating with Brother Wen Tao and observing his paintings, especially paintings on Tibetan subjects, I thought he realized something in his heart and showed it in the paintings. Maybe this is the right way. Wen Tao once traded in the sea and made foreign trade. He entered Tibet three times and became associated with the snow-covered plateau. His oil paintings found Tibet in key places-although many painters also painted, they did not find real Tibet. In Wen Tao's paintings, the biggest feature is the reflection and expression of Tibetans in the natural state and the state of daily life. In other words, they are Tibetan cells in natural life and Tibetan cells in simple life. Lei Feizhi, a writer who has traveled to Tibet six times by car, has repeatedly emphasized that this simplicity is natural and runs through life. More metaphysically, going to last forever is a higher and broader realm of life. By observing and thinking in this way, the painter can enter the soul from the shape and portray the true image of Tibet. In paintings such as "One of the Characters" (also known as "One Strike of the Red Cricket"), "Two of the Characters" (also known as "Wishlist"), "Three of the Characters" Newport Cigarettes Coupons, "Five of the Characters", "Sida Commissary", "Impression of the Jokhang Temple" and other paintings In the painting, we see the daily life of Tibetan compatriots as depicted by the artist. His characters include back and side silhouettes, and the usual thinking and modes that emphasize, highlight and exaggerate are removed. I think this is accurate, or an accurate expression. In China, the personal and daily life can often see the real human nature and spirit Newport Cigarettes, while the collective life is more fictional and camouflage. Of course, the back and silhouette are also linguistic and connotative. They are also the result of the artist's conception and selection. They can completely convey the information that the artist wants to convey. For example, "One of the Characters" (also known as "A Strike for the Red Swine") and "Two of the Characters" (also known as "Wish"), the male and female characters are old men. Although they have hooks and chests, they do not feel atrophy. The reason is that The artist conveyed a message of perseverance through the sculptural sensation of the character, and hinted at the positive tendency of life through red or colorful colors Marlboro Gold. In "Zaba Brothers" and "Laughing in the Field", the painter chooses young people, which shows us the nature of Tibetan children-honesty and joy. The painting "Laughter in the Field" is relatively complete in terms of composition, details, and color. The child and the entire picture are full of contagiousness, and it is a frank and joyful work. Generally speaking, in Tibetan themes, Wen Tao's character modeling and color use have the characteristics of portraying gods, which makes his paintings different from general realism. Wen Tao is also quite obsessed with the color of the plateau, the purity of the color that is transparent in the air, the divine large color in nature, the texture of the person who has been projected and polished over the years, and the color changes in the outline of the person, all of which make him feel inside. Full of impulse to paint, it also makes his observation and discovery more delicate. In "The Collector", Wen Tao chose a very small local expression of collector's interest. In front of the window, humble firewood set up a shelf with pots, pots and other daily utensils. It was beautiful under the projection of light and shadow and the window flowers. In the snow-covered plateau, many small corners have small flowers that become natural, and Tibetan people's needs for color can be said to be innate, such as Thangka, prayer flags, clothing, and various colorful stones. Color has become an integral part of the daily life of Tibet and Tibetan compatriots, and is also an important element of Wen Tao's paintings. I hope Wen Tao remembers his life, paints his colors, carves his body, and shapes his spirit!
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